Photographer Pierre Verger believes that "photography enables us to see what we don't have time to see, for it is fixed. What's more, it memorizes, it is memory.
Photographer Pierre Verger believes that "photography enables us to see what we don't have time to see, for it is fixed. For Verger, who traveled the world and immersed himself in the cultures of the people he photographed, these images capture his history. For others, they convey a sense of history-personal and cultural. These light-drenched photos of images-a small-town Mexican carnival in the '30s, Brazilian dock workers in the '50s, a Peruvian trapeze artist in the '40s, and 1937 Shanghai street scenes-present.
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The go-between: photographies 1932-1962. The go-between: photographies 1932-1962. Monograph for the Brazil photographer Pierre Verger; text in English and French; exquisite black and white photographs throughout. Binding tight, boards clean; no dust jacket (as issued); this copy in AS NEW CONDITION. A collection of stunning full page black and white plates of the work of Pierre Verger, who lived most of his life in Bahia, Brazil. Items related to LE MESSAGER.
Pierre Verger: Parisian Trickster. Photographies 1932-1962. Article in American Anthropologist 104(1):307 - 310 · January 2008 with 5 Reads. How we measure 'reads'. Jean Loup Pivin and Pascal Martin Saint Leon. eds. Postface by Charles-Henri Favrod. 416 pp. Do you want to read the rest of this article?
Discover ideas about American Photo. African Americans, Dolores Park, Black Man.
Discover ideas about American Photo. Pierre Verger, Le messager, the go-between : photographies 1932-1962, ed. Revue Noire, 1993.
Coffret Le Messager The Go-Between, photographies de Pierre Verger à travers le monde (1932-1962), récit biographique de Jean Loup Pivin et Pascal Martin Saint Leon Bilingue Français et Anglais.
le messager the go-between : photographies 1932-1962. Exhibitions, Photography, Artistic, Photography, Artistic Photography.
Photographer Pierre Verger believes that "photography enables us to see what we don't have time t. .more see, for it is fixed.
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PIERRE VERGER - photographies 1932-1962 "LE MESSAGER THE GO-BETWEEN".